She contributes to a number of publications and her writing reflects her interest in the aesthetics of desire, sexuality, and the pleasure of looking.César Albarrán-Torres • Michelle Carey • Bradley J. Dixon • Daniel Fairfax • Mark Freeman He was fortunate to get Marcello Mastroianni (who was nominated for an Oscar for this role, though he never won one), fresh from his worldwide acclaim for Federico Fellini’s La Dolce Vita (which the Sicilian villagers in Germi’s film attend) and Michelangelo Antonioni’s La Notte. By building our antipathy towards her, and through the intimacy of Fefè’s voiceover narration, Germi makes us complicit in his deeds. A lot of the jokes, and especially the character work (as with Rocca, Cefalù’s wallflower … Baron Ferdinando Cefalù (Marcello Mastroianni) longs to marry his nubile young cousin Angela (Stefania Sandrelli), but one obstacle stands in his way: his fatuous and fawning wife, Rosalia (Daniela Rocca). Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet. The Criterion Collection is proud to present director Pietro Germi’s hilarious and cutting satire of Sicilian male-chauvinist culture, winner of the 1962 Academy Award for Best Original Screenplay.Baron Ferdinando Cefalù (Marcello Mastroianni) longs to marry his nubile young cousin Angela (Stefania Sandrelli), but one obstacle stands in his way: his fatuous and fawning wife, Rosalia (D...This 2005 documentary by critic Mario Sesti featuring interviews with director Pietro Germi’s longtime friends and collaborators.In these interviews, recorded in 2005, filmmaker and critic Mario Sesti and actors Lando Buzzanca and Stefania Sandrelli discuss director Pietro Germi on the set of DIVORCE ITALIAN STYLE.This interview with screenwriter Ennio De Concini was conducted in 2005.Presented here is rare footage of actor Daniela Rocca’s screen test for DIVORCE ITALIAN STYLE.Presented here is rare footage of actor Stefania Sandrelli’s screen test for DIVORCE ITALIAN STYLE. Mastroianni valued fun and here as Fefè his ability to tap into the absurd makes this arguably his greatest comic role. She has a PhD in Women's Studies from Monash University where her research examined anxiety about masculinity in contemporary American cinema. But he is, as always, much more than just a beautiful face.
In the first shots of the movie we see an environment suffocated by the heat of the Sicilian climate.
That’s when it becomes clear that the title isn’t just a goof that loses its punch in the cultural translation: in 1961 Sicily, an Italian divorce is a euphemism for murder. “Refined, intelligent,” he continues, “But that stomach! As a master of contradictions, Mastroianni positions Fefè on the fault line between desirability and disgust. Since divorce is illegal, he hatches a plan to lure his spouse into the arms of another and then murder her in a justifiable effort to save his honor. People spend part of the day in their apartments waiting for the cool evening. Divorzio all’italiana. , 1961) Pietro Germi’s satire of Sicilian machismo, Divorce Italian Style, unfolds within the stifling walls of a decaying palace in Agramonte, a town of “slow progress”.
Starring Marcello Mastroianni, Stefania Sandrelli, Daniela Rocca. Classics and discoveries from around the world, thematically programmed with special features, on a streaming service brought to you by the Criterion Collection.
Perhaps affected by the repressive heat and the torpor of his days, Fefè decides to take action.
Baron Ferdinando Cefalù (Marcello Mastroianni) longs to marry his nubile young cousin Angela (Stefania Sandrelli), but one obstacle stands in his way: his fatuous and fawning wife, Rosalia (Daniela Rocca). Divorce Italian Style Baron Ferdinando Cefalù (Marcello Mastroianni) longs to marry his nubile young cousin Angela (Stefania Sandrelli), but one obstacle stands in his way: his fatuous and fawning wife, Rosalia (Daniela Rocca).
Describing the comedy in Divorce, Italian Style as satire is accurate to a degree, but Germi puts a lot of the sharper edges in the background. Through these vehicles, Pietro Germi offers locomotive relief in Divorce Italian Style, a comedy about the horrors of inertia. Mastroianni brings with him the weight of a star persona shaped by romanticism and sensuality that hooks and draws us in from the moment he first appears, hair slicked to the side, dark sunglasses, cigarette holder poised carefully at the corner of his mouth.
We cheer him on even as we condemn him.Not just any actor could support Germi in this task. More precisely, it is a film that wrings laughter from Fefè (Marcello Mastroianni), a man who has nothing to do and nowhere to go.
His eyes, already dark and heavy-lidded, wear additional makeup to create an even more louche expression. Rosalia’s nauseating neediness is contrasted with Angela’s quiet sensuality.
I’ll have to cut out everything!” It’s a moment in which the actor, who one year earlier was marketed internationally as the seductive star of Federico Fellini’s Germi achieves a comic masterstroke by having us identify with a morally weak and reprehensible man.
This quality is most obvious in the scenes in which Fefè fantasises about the ways he might kill Rosalia, where camera zooms take us inside his mind. Trains frame the story and provide its turning point; cars advance the plot. The first, in which he imagines her stirring a hot vat of soap into which he will eventually throw her, is given an almost Once Rosalia has run off with Carmelo (Leopoldo Trieste), Fefè must embrace the role of cuckold as if shocked by what has transpired. His solution? Divorce Italian Style. Mastroianni plays this like a secret between him and the audience; we are the only people implicated in his depravity.Joanna Di Mattia is a writer and film critic. He draws on a physical style built upon minimalist facial expressions in a film that is all about the mutability of social performance. I’ll have to cut out fat, sugars and starches.
Directed by Pietro Germi • 1961 • Italy.
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