Two masterful performances from the two lead actresses and Ingmar Bergman at his best. The life, times and afflictions of the fifteenth-century Russian iconographer St. Andrei Rublev. The letter says that Elisabet is "studying" Alma and mentions the nurse's orgy and abortion.

A guide leads two men through an area known as the Zone to find a room that grants wishes. This includes the prologue, with a "discordant" score accompanied by dripping and a ringing telephone.Two scenes censored from the U.S. and U.K. versions of the film were a brief shot at the beginning of an erect penisThe film was released to favorable reviews in the Swedish and U.S. press.After Bergman's death in 2007, his residence and the Performed by the Advent Chamber Orchestra with violinist Bibi Andersson first starred in Bergman's films in 1957 (Ullmann spoke of why she was cast in the films in 2016. The actress said that they tried to balance each other in their performances.Although the scene where Alma describes her orgy was in the screenplay, Andersson said in 1977 that Bergman had been advised to remove it from the film. A young nurse, Alma, is put in charge of Elisabeth Vogler: an actress who is seemingly healthy in all respects, but will not talk. Some of the most iconic shots in cinema come from this movie.Looking for some great streaming picks? Alma meets with Elisabet to talk about why Elisabet tore up the photo of her son. She insisted that it be shot, volunteering to alter dialogue she felt was too obviously written by a man.For the scene in which Andersson and Ullmann meet in the bedroom at night and their faces overlap, a large amount of smoke was used in the studio to make a blurrier shot. Biography Everyone's face has a better and a worse side, and the picture is a combination of Bibi's and Liv's less attractive sides. Regretting her decision, Elisabet attempted a failed According to Bergman, the story had its roots in a chance encounter with past collaborator Bergman had planned to cast Andersson and Ullmann in Andersson said that she and Ullmann agreed to play their parts as different sides of the same personality, and they assumed that personality was Bergman's. Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist.Keep track of everything you watch; tell your friends. A nurse is put in charge of a mute actress and finds that their personae are melding together. He hoped the film would be felt rather than understood.The "silence of God" is a theme Bergman explored extensively in his previous work. Another Talk about couples goals! Alma tells much of Elisabet's story: that she wanted the only thing she did not have, motherhood, and became pregnant. 'Ingmar Bergman's new film 'Persona', as I see it, is a reminder of our proximity to the ultimate borderline, where language breaks down, images are rent asunder and reality dissolves. And Bibi said, 'No, it's not me, it's you!' The ecclesiastical jurists attempt to force Jeanne to recant her claims of holy visions. By the midsixties, Ingmar Bergman had already conjured many of the cinema’s most unforgettable images. In the resulting fight, she threatens to scald Elisabet with boiling water and stops when Elisabet begs her not to. You must be a registered user to use the IMDb rating plugin. At first they were so scared they didn't even recognize their own faces. Then she can go on. As they spend time together, Alma speaks to Elisabeth constantly, never receiving any answer. A married daughter who longs for her mother's love is visited by the latter, a successful concert pianist. Later, Elisabet looks at the One night, Alma hears a man outside calling for Elisabet; it is Elisabet's husband. She talks about her fiancé, Karl-Henrik, and her first affair. What they should have said was: 'What the hell have you done with my face?' But with the radical Persona, he attained new levels of visual poetry. But they didn't! But with the radical PERSONA, he attained new levels of visual poetry. Was this review helpful to you? 4 of 5 people found this review helpful. A man seeks answers about life, death, and the existence of God as he plays chess against the Grim Reaper during the Black Plague. Furious, Alma accuses Elisabet of using her for some purpose. With Bibi Andersson, Liv Ullmann, Margaretha Krook, Gunnar Björnstrand. When a woman dying of cancer in early twentieth-century Sweden is visited by her two sisters, long-repressed feelings between the siblings rise to the surface. Directed by Ingmar Bergman. I find that rather an odd reaction".Themes of family "neglect and abandonment" run in Bergman's works, including In the screenplay, though not the finished film, Elisbet writes a letter to the doctor, stating she takes "curiosity in a fat spider".While the same personification of Death appears in The marketing pictures the actresses as pieces of a Journalist Michael Wilmington, observing the fact that Sweden submitted the film but the sfn error: multiple targets (2×): CITEREFBergman2014 ( sfn error: multiple targets (2×): CITEREFBergman2014 ( sfn error: multiple targets (2×): CITEREFBergman2014 ( sfn error: multiple targets (2×): CITEREFBergman2014 ( sfn error: multiple targets (2×): CITEREFAndersson2014 ( sfn error: multiple targets (2×): CITEREFAndersson2014 ( sfn error: multiple targets (2×): CITEREFAndersson2014 ( sfn error: multiple targets (2×): CITEREFBergman2014 ( sfn error: multiple targets (2×): CITEREFBergman2014 ( sfn error: multiple targets (2×): CITEREFAndersson2014 (


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