The Life and Passion of Jesus Christ (1903) 03/26/1904 (US) 44m User Score.

Mary’s womb "like light through glass" is evoked in the film’s The Life and Passion of Jesus, beautifully hand-colored scenes are interspersed with title cards for a movingly transcendent religious experience of Jesus Christ… And the Both this (and the 1906 Guy version) are a series of simple scenes representing different events in the story with each scene introduced by title card.

Biography, Drama, Short 44 Synopsis. a contemporary DVD commentary track, and the Catholic tradition is reflected in the narrative in a number gospels. Life and Passion of Christ, Our Saviour is a film directed by Lucien Nonguet, Ferdinand Zecca with Madame Moreau, Monsieur Moreau.

The Life and Passion of Jesus Christ is a stunning film. The cinematic angels and pastel shades on the clothing and the way the backgrounds look are amazing.O milagre de Jesus Cristo, ao caminhar por sobre as águas, é o milagre do próprio cinema, ao nos permitir testemunhar o prodígio, em 1903, graças ao prodígio da sobreimpressão.The miracle of Jesus Christ, when walking on water, is the miracle of cinema itself, in allowing us to witness such prodigy in 1903, thanks to the prodigy of overprinting.This is by far the longest silent film I've seen to this point (1903), though I gather it faked its length by basically being a series of numerous short ones that could be shown in a row. Leave it to the godless cinephiles to not give this work its due.

the tinting: green in the meadow, blue for night : is gorgeous.

Early cinema is magic.You may not be the most religious person out there, but true cinephiles cannot deny certain qualities this French silent classic possesses!Breathtakingly good, I was honestly stunned by this -- naturalistic acting, faultless narrative clarity (for the most familiar story ever, in the western world) with three or four supremely logical panning shots and even two examples of insert-shot editing, two moments that M. Zecca thought needed to be emphasized in the diegesis by cutting away to a shot from a different angle against a blank background. Forty-five minutes long, beautifully preserved and very handsomely tinted. Not only that but it's not a slower framerate that is repsonsible for the longer running time, but the scenes themselves which are extended in the Bucketstein version. Colorization was achieved using the Pathecolor/Pathechrome stencil-based film tinting process, which had been invented around 1903 by Pathe Freres, one of the most important and innovative film … The Gospel of John was not like my memory of the gospel story; at least not in form. Egypt is strikingly imagined in a scene in which the archangel Because of this (and the framing, and the color) the scenes vaguely remind me somewhat of staged renaissance paintings, although as one review I read pointed out the annunciation is composed incorrectly (Mary is on the left side of the frame but the tradition in art is for her to be on the right side).Finally, the Méliès inspired special effects are also very well handled.

I watched both.

yet to learn its unique strengths relative to the "legitimate But, the experience of reading John is nothing like reading a linear narrative. I found that the stageplay form of early cinema really helped translate the dangerous sense of inertia of these mythical proceedings.The Life and Passion of Jesus is one of the better films depicting the story of Jesus. For Both this (and the 1906 Guy version) are a series of simple scenes representing different events in the story with each scene introduced by title card. But the version I found on YouTube, uploaded by user Bucketstein, runs just shy of 53 minutes. If we remember that this was made long before any optical printers existed and watch the dissolves into angels with the subtle percentages of color rising and falling during the same scene, which may also include pans into other sets or insert shots or seamless background paintings…As many other early films from that time it is very theatrical in a lot of ways; the acting, the blocking, the camera placement, etc.

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