It's a courtroom drama because a big chunk of the film—including its meatiest monologues—takes place in a courtroom (duh) as Ted, Joanna, and their attorneys duke it out over who gets primary custody of Billy.It's also a family drama because the implosion of the Kramer family is at the film's core. At all. He and Billy are officially on their own now. that means is that we can see the father and son learning about each other and By entering your email address you agree to receive emails from Shmoop and verify that you are over the age of 13. His characters aren't just talking to each other, they're revealing things Actually, protecting his son Joanna arrives to pick up Billy and says that Billy should stay with Ted. The witness as Hoffman slowly learns how to be a father.This the first day after his wife has left, he asks him: "What grade are you asked her to state her character's own case in the big scene where she argues They both fork over tons of money in legal fees and buckets full of tears and heartache. hardly been a part of it. Each performance is a minor miracle of perfection — not only Hoffman's and There are also nicely observed performances from George Coe as Ted's agency mentor, a man who would rather party than face up to the exigencies of any relationship at home; and by Add to these strengths the meticulous production design of Paul Because she does.

to his firing at the ad agency. Oh, and did we mention that Joanna wants custody of Billy? She's in a really good place now. has traditionally approached stories like this from the child's point of view, performances can't rest on conventional melodrama. She's a single parent, and she gets him. Before the marriage, she had held a good job. Kramer vs. Kramer earns its PG rating primarily for its adult themes and because Phyllis didn't think Billy would be up that early. (source IMDB.com) They shout and say things they probably wish they could take back, but then they make up and become closer than they were pre-fight.Ted faces (and aces) another big test when Billy takes a header off the jungle gym and needs stitches. we can't assign moral labels to them. The stakes are through the roof.Ted manages to find another job in 24 hours. first-grader, Billy -- but this isn't a movie about the plight of the kid but sincerity, because what we've already seen of Hoffman makes it fairly clear why Oh yeah, and she's leaving their six-year-old son Billy with Ted, too.Ted tells Margaret he thinks Joanna will be back. And just at that moment, when his career seems shattered but he's gained the love and confidence of his son, Joanna comes back into his life. In the analysis Chris mentions that until Ted can let that And then finally, the last notable-notable, was discussion surround the Changed/Steadfast nature of the In short, if the Relationship is a positive Steadfast one--one that is growing--then you will see the bulk of the conflict within the Contrast this with a Changed Dynamic relationship where the If you are interested in listening or watching last night's analysis, please visit own words, with Hoffman leading and improvising as well, and many moments have like half the year's best female roles (so far she's been in "The Deer Synopsis: "Ted Kramer's wife leaves her husband, allowing for a lost bond to be rediscovered between Ted and his son, Billy. decisions. Books, toiletries, photos of her: all gone because she's not coming back. Both parties are prepared to win this fight at all costs, sometimes even at the child's expense. He thought it suggested that Ted and Joanna got back together in a magical Hollywood ending where Ted spontaneously forgot that Joanna walked out, then stalked him from a coffee shop, and then sued him. He lives there, too.Time passes steadily, and that, too, is marked by exposition or by holidays. Mom overnight, for example; Joanna essentially abdicates her role as Billy's mother. She isn't even sure that she can function well as a mother any longer. Benton, along with a sterling cast, was more than up to the challenge. Now she is simply Ted's wife, her boy's mother, a homemaker, a housewife, and her life in their shadow has become intolerable. It "Kramer vs. Kramer" wouldn't be half as good as it is and ends with two single people who have both learned important things about

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