“Behold and see,” says the prophet, “if there be any sorrow like unto my sorrow” (Lam. Bearing shame and scoffing rude, in my place condemned he stood, sealed my pardon with his blood: Hallelujah, what a Savior! . If you do that, you will become one of those who, in the New Testament’s words, through your indifference or contempt “crucify afresh the Son of God” (Heb.

Hallelujah! . It seems as though God had prepared it for the great jubilee of heaven, when all his children shall have been gathered home to sing ‘Hallelujah to the Lamb!’” Laura de Jong reflects on this general idea with her own experience at Taizé, an ecumenical community in France:“During one evening prayer service, we had turned around to face the center for the Gospel reading, after which we sang the Taizé song, “ Think about this: God himself is a man of sorrows. Bert Polman Ira Sankey, a good friend of Philip Bliss, the author of this hymn, wrote this about Bliss’ text: “It is said that the word ‘Hallelujah’ is the same in all languages. G Em D/F#. He was one of the others, one of the many whose souls are rubbed raw with suffering. Jesus endured many pains, hardships, sufferings, and sorrows, but He kept His eyes on the final joy of completing God’s purpose and redeeming His lost sheep.

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But Jesus was not one of those. 1:12, kjv).

On their final journey to Jerusalem, while Jesus was preparing himself for the cross his disciples were arguing about who would get to sit closest to his throne and have the most important posts in the great Jewish empire they thought Jesus was about to establish in Jerusalem. The music cannot be played on your browser. The full text draws on that prophetic vision and on the gospel narratives of Christ's crucifixion and atoning death. CCLI, OneLicense, etc). He has been broken and bewildered.

3:10). He was converted at a revival meeting at age twelve.

2. The full text draws on that prophetic vision and on the gospel narratives of Christ's crucifixion and atoning death. When Jesus saw his mother and the disciplewhom he loved standing beside her, he said to his mother,this, when Jesus knew that all was now finished, he said (in order toof the wine on a branch of hyssop and held it to his mouth. The tune HALLELUJAH! Each stanza concludes with an "alleluia" to so great a Savior.Bliss left home as a young boy to make a living by working on farms and in lumber camps, all while trying to continue his schooling.

52: 13-53: 12). Guilty, vile, and helpless we; Spotless Lamb of God was He; “Full atonement!” can it be?

Heidelberg Catechism, Lord’s Days 15-16, Questions and Answers 37-44 explain the significance of each step of his suffering. He had no beauty or majesty to attract us to him, nothing in his appearance that we should desire him. He felt the suffering and hurt of a broken heart.

Man of sorrows what a name for the Son of God, who came ruined sinners to reclaim: Hallelujah, what a Savior! Bert Polman Please consider white-listing Hymnary.org or But it does say that he wept. There they crucified him, and with him two others, oneon either side, with Jesus between them. He could have called him a man of love, for love motivated every deed he ever did, every word he ever uttered. If you do sing this during Lent, be sure to leave out the “Hallelujah” refrain so as not to take away the power of Easter morning’s “Alleluias!” The hymn is also an excellent candidate for Communion throughout the year.During Lent you may want to try Larry Shackley's choral arrangement A separate copy of this score must be purchased for each choir member.

But they all fell asleep. I imagine what it was like at that very moment on the cross... all that He went through... And I gives me this joy and a feeling of assurance. This strong tune is characterized by repeated tones and by rhythmic interest in the final phrase. And now this further phrase is added to his portrait. what a Savior! what a Savior! The nature of verses three and four make it especially fitting for Lent and Easter. You may have to feel the same loneliness and rejection that Jesus did. Yes, he knew the sorrow of loneliness. But he didn’t. Philip P. Bliss (b. Clearfield County, PA, 1838; d. Ashtabula, OH, 1876) wrote both text and tune of this hymn that was published in "Man of Sorrows" is a reference to the prophet Isaiah's depiction of the "suffering servant" (Isa. He was “a man of sorrows and familiar with suffering” (v. 3). For them the sun is always shining.

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