(-) - V/V/V - 82×⇩ - Jurabe, Complete Score (F major, transposed) (-) - V/V/V - 690×⇩ - M.kowalski49, Horn 1/2 (G/F/E/E♭/D/D♭/C) 1. 0.0/10 6 - Text und Musik stammen von Gérard Presgurvic. (-) - V/V/V - 402×⇩ - Music Addict, PDF scanned by Unknown 4 0.0/10 Alaric (2008/8/29), Complete Score - 6 Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.fm. By the third act, scarcely able to breathe—it was as though an iron hand had gripped me by the heart—I knew that I was lost. *#92792 - 18.87MB, 250 pp. his wife, he takes poison. Sardanapale, the cantata with which Berlioz finally won the Prix de Rome in 1830, includes the melodic material of both the Roméo seul ("Romeo alone") portion of the second movement and the Grande fête chez Capulet ("Great banquet at the Capulets"). 4 6 8 - 10 0.0/10 4 0.0/10 6 4 2 4 The critic Ernest Newman, who knew a lot about opera, used to say that Shakespeare’s Romeo and Juliet was not very suitable for the operatic stage, despite constant attempts by composers of all ages to fashion that great play into an opera. 2 Plate J. - 0.0/10 - 6 4 Le poison (Italienisch Übersetzung) Künstler/in: Roméo et Juliette, de la haine à l'amour (musical) Gastmusiker: Cécilia Cara Auch performt von: Joy Esther Lied: Le poison 9 Übersetzungen Übersetzungen: Aserbaidschanisch, Deutsch, Englisch, Finnisch, Griechisch, Italienisch, Niederländisch, Spanisch, Türkisch L'auteur reconnaissant de 6 10 Jules Barbier, Michel Carré . Le poison (Englisch Übersetzung) Künstler/in: Roméo et Juliette, de la haine à l'amour (musical) Gastmusiker: Cécilia Cara Auch performt von: Joy Esther Lied: Le poison 9 Übersetzungen Übersetzungen: Aserbaidschanisch, Deutsch, Englisch, Finnisch, Griechisch, Italienisch, Niederländisch, Spanisch, Türkisch 2 Zeyarshwe (2017/4/17), Complete Score 0.0/10 6 8 8 Shakespeare était connu pour de telles contradictions, notamment dans sa pièce La tragédie de Roméo et Juliette. 4 2 (-) - C/V/C - 20×⇩ - Zeyarshwe, PDF scanned by US-PRV 10 6 - Juliette beschließt mit ihm zu sterben und schneidet sich die Pulsadern auf. Juliette really falls in a death-like sleep after taking the poison. 6 10 0.0/10 This was followed by two full orchestra rehearsals to polish up the details.[6]. 4 6 *#159265 - 0.53MB, 6 pp. - 4 6 Thomas Lalonde has rear nudity in that same scene. (-) - V/V/V - 766×⇩ - M.kowalski49, Bassoon 1/2 2 In his Memoirs, Berlioz describes the electrifying effect of the drama: ... to steep myself in the fiery sun and balmy nights of Italy, to witness the drama of that passion swift as thought, burning as lava, radiantly pure as an angel's glance, imperious, irresistible, the raging vendettas, the desperate kisses, the frantic strife of love and death, was more than I could bear. 0.0/10 2 8 Roméo et Juliette 6 Roméo seul (Romeo alone) – Tristesse (Sadness) –, 3. 0.0/10 *#587239 - 2.04MB, 8 pp. 10 8 Entdecken Sie Gounod: Roméo et Juliette (Metropolitan Opera) von Jussi Björling, Bidú Sayão bei Amazon Music. - 4 Juliette Capulet is the center of attention at a masked ball at the palace. (-) - V/V/V - 748×⇩ - M.kowalski49, Horn 3/4 (D/D♭/C/B basso/B♭ basso) 2 0.0/10 Prêt à porter et accessoires Homme / Femme / Enfant. 2 - Wagner learned something of melodic flexibility and perhaps even a mastery of the orchestral force from Berlioz. 10 [6], (To the great and dear author of 208 likes. *#596259 - 3.53MB, 9 pp. Juliette (Charlotte Aubin, 14) seen nude from rear in the shower, topless in a love scene and fully nude when skinny-dipping in the following scene with Roméo (Thomas Lalonde, 17). [6], There is abundant evidence that Berlioz was gradually working out a scheme for Roméo et Juliette during his sojourn in Italy. Listen free to Damien Sargue – Roméo Et Juliette, Les enfants de Vérone (Ouverture - Roméo & Juliette, Les enfants de Vérone, Vérone - Roméo & Juliette, Les enfants de Vérone and more). One line of text from the review eventually shows up in the libretto of the symphony. Franz Liszt also recognised the significance of Berlioz as a progressive composer, and championed his music. Roméo et Juliette is a symphonie dramatique, a large-scale choral symphony by French composer Hector Berlioz, which was first performed on 24 November 1839. Closed Now. (-) - V/V/V - 766×⇩ - M.kowalski49, Violas 4 0.0/10 Music Addict (2019/8/27), Incomplete Score (-) - V/V/V - 783×⇩ - M.kowalski49, Clarinet 1/2 (B♭/A) - 4 When Wagner first heard the work in 1839 he said it made him feel like a schoolboy at Berlioz's side. [5] Emile Deschamps (the librettist of the work) says that he and Berlioz worked out a plan for the symphony shortly after the Odéon's 1827/28 season. Contains an introductory essay by William James Henderson (1855-1937). 10 10 2 8 0.0/10 2 The bass-baritone, Adolphe-Louis Alizard (Friar Lawrence), and the Prologue chorus, all of whom came from the Paris Opéra, were prepared during the intermissions of performances there. 2 Seit der Premiere am 19. - Tristan and Isolde.)[16]. - *#107307 - 0.71MB, 8 pp. *#563202 - 0.33MB, 8 pp. THE STORY. Scherzo: La reine Mab, reine des songes (Queen Mab, the queen of dreams – the Queen Mab Scherzo), 5. 8 Toute la Confection. A premiere of a later revision (including cuts and changes to the Prologue, Queen Mab Scherzo, and the Finale) was held in Vienna on 2 January 1846, the first performance since 1839 and the first abroad. 8 10 [4] Berlioz comments: "The work as it was then [in 1839] was performed three times at the Conservatoire under my direction and, each time, appeared to be a genuine success. . (-) - V/V/V - 761×⇩ - M.kowalski49, Violins I Roméo et Juliette, de la haine à l'amour (musical) Lyrics mit Übersetzungen: Aimer, Verona [Vérone] (English), Avoir 20 ans, À la vie à la mort, Ama e cambia il mondo [Aimer] 2 from the Moulis-Gauckler-Herrenschmidt archive. 6 2 Alone, Juliette tells her nurse that she has no interest in marriage. 2 10 ICG 156 Movements/Sections Mov'ts/Sec's: 5 acts 8 17 and H. 79. *#169343 - 2.21MB, 48 pp. 6 0.0/10 When Roméo observes Juliette from afar, he falls under her spell. - - *#395042 - 3.06MB, 42 pp. Indeed, it may be the case that Roméo et Juliette's genesis is intertwined with other works composed before the composer left for his Prix de Rome sojourn of 1830 to 1832. *#56332 - 3.63MB, 63 pp. Facebook is showing information to help you better understand the purpose of … - 8 6 Roméo et Juliette thus survives in many different forms, which can be adjusted depending on the singers, the stage direction, and the public. He accepted advice from several confidants and advisers, rewriting the coda of the Queen Mab Scherzo, shortening Friar Laurence's narrative at the end, deleting a lengthy second Prologue at the beginning of the second half, and introducing musical foreshadowing in the first prologue. 10 8 Massenetique (2011/10/22), Complete Score (F major, transposed) 10 10 Massenetique (2012/11/13), Complete Score (F major, high voice) A masked ball in the Capulets' palace A ball is under way for Capulet’s daughter, Juliette, whom he has promised in marriage to Count Pâris. 6 252 were here. 6 After hearing a complete performance in Vienna on 26 January 1846, Berlioz took the opportunity to make major revisions before a performance scheduled for the following April in Prague. 2 0.0/10 6 - 10 - - (-) - V/V/V - 20702×⇩ - Massenetique, PDF scanned by US-CHH Nous avons de belle petite marque Italienne et Française... de la taille 34 au 56 4 2 Massenetique (2012/11/14), Entr'acte (Act II); Le sommeil de Juliette (Act V) Opens at 10:00 AM. *#596261 - 4.92MB, 11 pp. 10 Roméo et Juliette is a symphonie dramatique, a large-scale choral symphony by French composer Hector Berlioz, which was first performed on 24 November 1839.The libretto was written by Émile Deschamps, and the completed work was assigned the catalogue numbers Op. 0.0/10 (-) - V/V/V - 720×⇩ - M.kowalski49, Trombone 1/2 Berlioz's composition was heavily influenced by the play he had seen acted by Charles Kemble and Harriet Smithson in 1827, which had been rewritten by the 18th century actor David Garrick to have Juliet awaken from her deathlike sleep before Romeo's death from (a much slower acting) poison. 2 [4] The roles of Roméo and Juliette are represented by the orchestra, and the narrative aspects by the voices. Paganini died shortly after, and did not read or hear the piece. 6 8 10 PART ONE . 0.0/10 4 Massenetique (2012/11/15), Complete Score Stèphano hat indes seit gestern vergeblich seinen Herrn Roméo gesucht. Structurally and musically, Roméo et Juliette is most indebted to Beethoven's 9th symphony – not just due to the use of soloists and choir, but in factors such as the weight of the vocal contribution being in the finale, and also in aspects of the orchestration such as the theme of the trombone recitative at the Introduction. 6 - (-) - V/V/V - 721×⇩ - M.kowalski49, Snare Drum 2 0.0/10 [6] Moreover, in 1860, he sent Berlioz the published full score of Tristan und Isolde inscribed merely: Au grand et cher auteur de Werbefrei streamen oder als CD und MP3 kaufen bei Amazon.de. 10 *#395053 - 3.07MB, 49 pp. *#395056 - 3.37MB, 54 pp. *#503084 - 44.12MB, 136 pp. He reviewed a February 1831 performance in Florence of Bellini's I Capuleti e i Montecchi, outlining in passing how he would compose music for the Roméo et Juliette story: it would feature, he says, the sword fight, a concert of love, Mercutio's piquant buffooning, the terrible catastrophe, and the solemn oath of the two rival families. 2 - 4 8 *#395045 - 3.04MB, 37 pp. 0.0/10 8 10 Zunächst wurde das Musical in Frankreich selbst zum großen Erfolg; daraufhin folgten Produktionen in Kanada, … Second, since duets of this nature have been treated vocally a thousand times by the greatest masters, it was wise as well as unusual to attempt another means of expression. From Roméo et Juliette Wagner absorbed so much about the ideals of dramatic music that the work can be considered a major influence on Tristan und Isolde. 10 4 2 4 Fugalicious (2019/3/1), Complete Score (F major, high voice) (-) - V/V/V - 13405×⇩ - Carolus, Flute 1/2 2 Roméo et Juliette was also the work of Berlioz's that Wagner knew best. 2 *#335137 - 0.21MB, 1 pp. 2 Ensuite lorsque Roméo tue Tybalt, il a une chaine autour de son cou avec une bague à celle ci après elle disparaît comme par magie. In the rehearsals, Berlioz pioneered the practice of orchestral sectionals, rehearsing the different sections of the orchestra separately to better prepare them for the challenging piece. Toronto copy at archive.org (many added photos, etc. Gemeinsam scheiden Roméo und Juliette … 8 - The cast included Harriet Smithson, who also inspired Berlioz's Symphonie fantastique. 0.0/10 "[11] He continued to revise the work, a few instances upon the suggestions of critics, but generally by his own judgement. He may have absorbed more specific features: the close relationship of the first few bars of the Tristan prelude to the opening of the second movement of Roméo et Juliette has been suggested. 0.0/10 *#258775 - 0.74MB, 6 pp. *#395049 - 1.13MB, 17 pp. *#335136 - 1.88MB, 74 pp. Le poison (English translation) Artist: Roméo et Juliette, de la haine à l'amour (musical) Featuring artist: Cécilia Cara Also performed by: Joy Esther Song: Le poison 9 translations Translations: Azerbaijani, Dutch, English, Finnish, German, Greek, Italian, Spanish, Turkish 6 4 4 When Juliette realizes that Roméo is about to die, she decides to follow him so their love can continue in the afterlife. (-) - V/V/V - 1977×⇩ - Alaric, PDF scanned by CDN-Ou Romeu e Julieta lutam contra o tempo para fazer com que seu amor dure para sempre. Roméo et Juliette luttent contre le temps pour que leur amour dure à jamais. 2 As they are leaving for dinner, Roméo addresses Juliette an… 8 [6] There was much anticipation in Paris prior to the first performance. *#395048 - 2.33MB, 28 pp. He saw in the Pastoral symphony how music might be depictive without being naïve, in the symphonic scherzi how the delicate Queen Mab might best be evoked, and in the 9th symphony how effective a choral finale could be. - 0.0/10 (-) - V/V/V - 788×⇩ - M.kowalski49, Complete Score 10 Romeo et Juliette; Romeo y Julieta de Gounod; Romeu i Julieta: Authorities WorldCat; Wikipedia; VIAF: 179421646; LCCN: n81007971; GND: 300061307; SELIBR: 287251; SUDOC: 069371636; BNF: 139126385: Composer Gounod, Charles: Opus/Catalogue Number Op./Cat. 0.0/10 (-) - V/V/V - 8×⇩ - Morel, Complete Libretto 4 8 First, and this reason alone would be sufficient, it is a symphony and not an opera. Reflecting on the first performances, Berlioz commented in his memoirs: The work is enormously difficult to perform. (-) - V/V/V - 39020×⇩ - Alaric, PDF scanned by Unknown (-) - V/V/V - 677×⇩ - Morel, Complete Score 8 But I felt at once that much would have to be changed, and I went over it carefully and critically from every point of view. 4 6 2 Page TransparencySee More. 10 2 0.0/10 6 4 Scène d'amour (Love scene) – Nuit serène (Serene night) –, 4. (-) - V/V/V - 692×⇩ - M.kowalski49, Harps 0.0/10 *#395046 - 2.75MB, 39 pp. 8 *#21548 - 16.89MB, 266 pp. 2 4 34 G. Memphis: E. Witzmann & Co., 1882. 0.0/10 Le Poison Songtext von La Troupe de Roméo et Juliette mit Lyrics, deutscher Übersetzung, Musik-Videos und Liedtexten kostenlos auf Songtexte.com [5] Reactions to the piece were quite varied, as could be expected for a radical work. CG 9 I-Catalogue Number I-Cat. 2 [8], The work's libretto is not sourced from the original plays, and as a result contains changes from Shakespeare's play, both in the version Berlioz worked from, and subsequent cuts he and his librettist made. *#395043 - 3.91MB, 54 pp. 6 8 - - *#585273 - 0.64MB, 9 pp. (-) - V/V/V - 1017×⇩ - Massenetique, Complete Score 4 From forth the fatal loins of these two foes A pair of star-cross'd lovers take their life; 4 8 6 2 It was first performed in three concerts conducted by Berlioz at the Paris Conservatoire with an orchestra of 100 instruments and 101 voices[10] on 24 November, 1 December and 15 December 1839, before capacity audiences that comprised much of the Parisian intelligentsia. 2 (-) - V/V/V - 909×⇩ - Choul, Complete Score (F major, high voice) 0.0/10 - (-) - V/V/V - 83×⇩ - Afp0815, Content is available under the Creative Commons Attribution-ShareAlike 4.0 License 8 Massenetique (2011/6/28), Complete Score 8 10 6 2 4 10 - Beyond the influence on Wagner's music drama, the piece pushed the limits of the contemporary orchestra's capabilities, in terms of colour, programmatic scope and individual virtuosity. 8 *#596267 - 10.71MB, 36 pp. - Le poison (Türkisch Übersetzung) Künstler/in: Roméo et Juliette, de la haine à l'amour (musical) Gastmusiker: Cécilia Cara Auch performt von: Joy Esther Lied: Le poison 9 Übersetzungen Übersetzungen: Aserbaidschanisch, Deutsch, Englisch, Finnisch, Griechisch, Italienisch, Niederländisch, Spanisch, Türkisch While this applies to much of Berlioz's music, it is even more true for Roméo et Juliette, written at the height of his powers and ambition. - 6 4 *#258773 - 0.61MB, 4 pp. No. 2 Toute la Confection. (-) - V/V/V - 746×⇩ - M.kowalski49, Cellos/Basses - - At that moment, Juliette awakes, and they share a final dream of future happiness. [6] The full score was not published until 1847.[12]. 8 4 [4], Berlioz developed a special predilection for the symphony over his career, writing in his memoirs that one movement in particular became a favorite: "If you now ask me which of my pieces I prefer, my answer will be that I share the view of most artists: I prefer the adagio (the Love Scene) in Romeo and Juliet. Between them they also left out the character of the nurse and expanded Shakespeare's brief mention of the two families' reconciliation into a substantial vocal finale. *#99441 - 0.41MB, 5 pp. Roméo et Juliette: de la Haine à l'Amour is a French musical based on William Shakespeare's play Romeo and Juliet, with music and lyrics by Gérard Presgurvic. Price Range $$. [4] The exceptional virtuosity deployed in the orchestral writing seems particularly appropriate for the dedicatee of the work, Paganini himself, who was never able to hear it, much to Berlioz's regret. Initial inspiration came from a performance he witnessed in 1827 of Romeo and Juliet (in David Garrick's edited version) at the Odéon Theatre in Paris. 2 10 8 6 8 10 (-) - V/V/C - 315×⇩ - Morel, Complete Score Romeo and Juliet (-) - V/V/V - 260×⇩ - Vangi, PDF scanned by Ville de Paris 10 M.kowalski49 (2015/10/11), Missing pages (201-204, 221-224) 0.0/10 2 Roméo et juliette se marient dans l'église. (-) - V/V/V - 6×⇩ - Morel, Complete Score 0.0/10 [3], The range of feeling and mood as well as poetic and formal invention which Berlioz found in Shakespeare[4] had a strong influence on his music, making a direct musical setting of Shakespeare's work only natural. (-) - V/V/V - 677×⇩ - M.kowalski49, Trumpet/Cornet 1/2 (E♭/D/C/B♭/B basso/A) 0.0/10 4 - (-) - V/V/V - 7631×⇩ - Massenetique, PDF scanned by RUS-Mrg 10 - 10 10 6 Convoi funèbre de Juliette (Funeral cortège for the young Juliet): "Jetez des fleurs pour la vierge expirée" ("Throw flowers for the dead virgin"), 6. 8 8 (-) - V/V/V - 413×⇩ - Afp0815, Color Cover *#395051 - 0.05MB, 2 pp. To be well done, it needs first-rate performers—players, singers, conductor—intent on preparing it with as much care as a new opera is prepared in a good opera house, in fact almost as if it were to be performed by heart.[13]. 2 10 *#587381 - 35.57MB, 442 pp. Cleaned 600 dpi B/W. He sensed Beethoven's flexibility with regard to number of movements and the performing force.[6]. 0.0/10 Dame et Enfant SOLDES!!SOLDES,Soldes!! - 2 (-) - V/V/V - 902×⇩ - Massenetique, Complete Score "[9], From composition until the first performance, Berlioz's time was occupied with physical arrangements for the premiere: parts were copied, chorus parts lithographed, and rehearsals got underway. 0.0/10 In fact, he had been planning a musical realisation of Romeo and Juliet for a long time before 1838, but other projects intervened. 2 - (-) - V/V/V - 11×⇩ - Morel, Complete Score Its vivid scene-setting surpasses many operas, which constitutes an enormous success on Berlioz's part. 6 2 *#395041 - 2.42MB, 36 pp. (-) - V/V/V - 3167×⇩ - M.kowalski49, PDF scanned by Unknown [14], The vocal forces are used sparingly throughout, until they are fully deployed in the finale. 8 0.0/10 No. (-) - V/V/V - 1121×⇩ - M.kowalski49, Violins II - - 10 0.0/10 8 (-) - V/V/V - 8471×⇩ - Massenetique, PDF scanned by US-PRV Another notable audience member was Richard Wagner, who would later note the influence of the symphony on his opera Tristan und Isolde. *#395044 - 3.85MB, 58 pp. 10 4 (-) - V/N/V - 2001×⇩ - MP3 - Vangi, Complete Score (pages added) 10 0.0/10 4 4 4 8 4 Dame et … EMI Classics - enregistrements originaux, 1947-59. 4 2 8 It is based on Shakespeare's play Romeo and Juliet; it is regarded as one of Berlioz's finest works, and it is among the most original in form. In den darauffolgenden Kämpfen tötet zuerst Tybalt Romeos Freund Mercutio, wird darauf jedoch aus Rache von Romeo getötet. 4 6 0.0/10 10 8 Synopsis: Roméo et Juliette Select a language to update the synopsis text. Massenetique (2011/2/13), Complete Score [4] Berlioz signed and dated his autograph on 8 September 1839. 0.0/10 2 0.0/10 6 *#395050 - 1.22MB, 18 pp. Roméo et Juliette, de la Haine à l’Amour ist das bisher erfolgreichste Musical in französischer Sprache. *#396306 - 16.82MB, 268 pp. 6 - Before they both die, they ask God for forgiveness. 30% á 50 % sur. 0.0/10 105 minutes. (-) - V/V/V - 118×⇩ - Fugalicious, PDF scanned by US-CHH 6 Berlioz enlisted the services of author Emile Deschamps to write the libretto. 10 From Beethoven, Berlioz learned the very notion of programmatic music. 8 6 ), International Harp Archives at Brigham Young University, http://imslp.org/index.php?title=Rom%C3%A9o_et_Juliette,_CG_9_(Gounod,_Charles)&oldid=3115573, Recordings with unknown publication dates, Scores from the International Harp Archives, Works first published in the 19th century, Pages with commercial recordings (Naxos collection), Pages with commercial recordings (BnF collection), Creative Commons Attribution-ShareAlike 4.0 License. 2 [15], The stylistic links of the work with Beethoven before (and Wagner after) could not be stronger. - 6 6 0.0/10 *#571544 - 9.08MB - 3:49 - *#251576 - 14.11MB, 71 pp. Indeed, their second and last meeting was on the occasion of a performance of the work in London in 1855. 8 (-) - V/V/V - 105×⇩ - Rseebac, PDF scanned by Unknown 10 [6] The final score was dedicated to Paganini. PROLOGUE . (-) - V/V/V - 801×⇩ - Massenetique, Complete Score 2 6 10 The story is told of the endless feud between the Montague and Capulet families, and of the forbidden love between their children.
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