Kramer – Marriage Story. "Kramer vs. Kramer" wouldn't be half as good as it is -- half as intriguing and absorbing -- if the movie had taken sides. I have, however, seen this scene countless times in plays and staged productions. Have the stage director touch Charlie’s thigh here to make sure we know something morally ambiguous is going on. “It would be strange if he turned to me and said, ‘What do you want to do today?’” Nicole tells Nora. This was a fantastic film. Nicole moves back to Los Angeles with their 8-year-old son to shoot a TV pilot, and a bicoastal custody fight ensues. Then, the reveal: these are letters they wrote to each other as they begin the process of divorcing, in order to get off on a positive note. If they didn’t, the film wouldn’t work at all. Not trusting the audience’s intelligence or ability to understand the subtleties of loving someone while hating them, too.I doubt that the characters of Charlie or Nicole, who consider themselves artists, would enjoy this movie.Let’s pick apart the hackneyed emotional climax.
Moving to Los Angeles to star in a pilot was a way for her to reclaim her own identity, as well as explore new career possibilities. And if we look elsewhere in cinematic history, we can find many examples of women leaving their husbands and being depicted as cold for doing so: Francis Ford Coppola’s “The Rain People”; Woody Allen’s “Manhattan”; Danny DeVito’s dark comedy “The War of the Roses,” in which the wife’s desperate desire for independence is exhibited as a homicidal hatred for her controlling husband.It can be disheartening to watch these tropes play out over and over again without filmmakers seriously reflecting on the men’s treatment of their spouses. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation. This was followed by his role in Little Big Man (1970), where Jack Crabb, his character, ages from teenager to a 121-year-old man. Asked by her lawyer why she felt compelled to leave her child behind for over a year, she delivers a deeply moving monologue that includes this crucial point: “I know I left my son, I know that that’s a terrible thing to do. The stakes seem only to be emotional and the kid is simply not involved. Nora is the only one in Nicole’s corner, pointing out her client’s contributions to Charlie’s work and her involvement as a parent. “Yes, yes, good, keep that emotion” says the theater director. Check. The actress, then barely known in Hollywood, was famously asked to re-write Joanna’s meatiest scene so it would sound more authentic. Examples of these moments are whenever an inauthentic tableau appears for the sole purpose of reminding audiences that film is a visual medium. When they married, she, like Joanna, made compromises.
But as his career took off, hers started to stagnate. As he juggles child care and his career, he learns that parenting is, in fact, a full-time job.One day, Ted is late to pick up his son, Billy, which leads to a tantrum. And his pull is such that he gets top notch actors, who can nail these very subtle parts that would be totally lost with less talented performers. )The film plays out differently, mostly thanks to Streep’s involvement in shaping her character’s arc. Both Charlie and Nicole feel like they lose their agency and control to their attorneys in the divorce process. Marriage Story has a great opening hook. Instead, I saw all the little buildups where the director indicates how the audience should feel rather than organically letting us decide on our own.
If there is a villain to be had in this film, it is certainly the legal system where lawyers prey on people are their lowest points in life. But the interviewer is so subdued and kooky that we don’t feel any danger. The real fight in Marriage Story, so it seems, is LA vs. NYC. The marriage spins apart because of irreconcilable personality differences or divergent career paths or casual neglect or entropy or some combination; yet there is a shared and enduring bond that is not so easily broken.
Believe me, I have to live with that every day of my life.
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