She then asks him why he said that she seemed sad from her painting and he tells her that she projects that aura. Quite by accident, a film director arrives in town a day early. At the screening the following day Cheon-soo is hung-over and acts angry and erratic at the post-film discussion. Heejung leads him to the rooftop where she points to where her home is. Walking home she receives a call from her mother who asks her where she is and tells her that Cheo-soo stripped in front of her friends which she finds hilarious. If all I saw was the first half, I would have given it a shrug and left in a semi-foul mood. A foray into the uncanny with a spin on Luis Buñuel's "That Obscure Object of Desire". "Night and Day" is centered around the mixed emotions found in traveling. In the first half, titled "Wrong Then, Right Now," visiting filmmaker Ham Chunsu (Jung Jae-young) meets local painter Yoon Heejung (Kim Minhee) at … Cheo-soo gives her a ring that he found on the street and Heejung calls it their wedding ring. The website's critical consensus reads, " Right Now, Wrong Then offers diverging perspectives on a chance meeting -- and thought-provoking observations on human interactions in general."

A married film director falls for a young painter - twice. Was this review helpful to you? Cheo-soo walks her home but asks her to come back out so they can continue talking. She's an artist, and he views and comments on her work, then they go out to dinner where they drunkenly bear their souls. She confides in him that she has no friends and he tells her that it's alright, that's probably just the way she is. The second half retells the same sequence of events with enough important variations to generate a radically new outcome. Heejung, devasted to learn that her new friend is actually married, abruptly leaves, and Chunsu winds up flipping out the next day at his screening’s Q&A.But does Hong’s film really work at what it’s going for?

Right Now, Wrong Then is a terrific example of Hong’s talents, which means it also sounds massively uninteresting: visiting an unknown city to present a screening of his film, a director, Ham Cheon-soo (Jeong Jay-yeong) meets a woman, Yoon Hee-jeong (Kim Min-hee), who he immediately takes a liking to.

The same filmmaker who comes off like a pretentious creep during the first portion, even angrily berating his interviewer at an ill-attended Q&A, is now honest, open and caring about others—which allows Jung multiple occasions to deploy his sigh-inducing smile. The film’s main sequence of events is shown onscreen twice with the title cards reading Right Now, Wrong Then and Right Then, Wrong Now respectively.

He attends his film to a small crowd, conducts a hungover Q&A, and retires, walking away from the town for good. Right Now, Wrong Then sees Hong continuing to do what he knows best, although the results are lacking compared to some of his more recent fare. But in Part 2, Han and Hee-jung are much more on equal footing. Kwon returns to Seoul from the mountains and is given a packet of letters from Mori back from Japan to propose to her. A visit to an outdoor ice rink that provides miniature sleds instead of skates to glide upon is as close to an action sequence as the movie gets. Oke langsung saja kita simak Sinopsis Film Right Now, Wrong Then.Chun-Soo (Jung Jae-Young) tiba di Suwon sehari lebih awal dari jadwal.

Like Groundhog Day but only a once-over, we get every scene again but from a slightly different wishful approach.Looking for something to watch? A meta-meet-cute diptych from the prolific South Korean auteur Hong Sang-soo, RIGHT NOW, WRONG THEN is set within two days and one night in the town of Suwon, an acclaimed art house filmmaker, Ham Cheon-soo (Jeong) is scheduled to give a lecture before the screening of his latest work, but he arrives one day earlier, and serendipity leads him fall in with Yoon Hee-jeong (Kim), a local young painter … In 2 days of the life of a filmmaker, Ham Cheon-soo, in town a day early for a screening of his latest work at a local film festival. He tells her she needs to be bolder with her choices but that the quality of the painting is there. Those familiar with Hong’s work shouldn’t be surprised by the plot. A three-tiered story centered on a trio of French tourists visiting the same seaside resort. Susan Wloszczyna spent much of her nearly thirty years at The memories of the woman who left weigh down on him.

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